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©2005-2009 ~sleurope
Details
Submitted: September 25, 2005
Image Size: 254 KB
Resolution: 600×762
Comments: 51
Favourites & Collections: 15 [who?]

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Picture
Make: Canon
Model: Canon PowerShot A10
Shutter Speed: 1/251 second
F Number: F/8.0
Focal Length: 5 mm
Date Picture Taken: Sep 14, 2005, 5:36:30 PM

Artist's Comments

as the sun was set
and the pieces of light touch your hair
perfect love come softly
with the dawn, the dawn
city once full of people
desolate, is desolate
we look back in
to the ruins where we played

at least we were together
holding hands
flying through the sky
at least we were together
holding hands
flying through the sky
sky

touch your hand
you touch the back of my hand
so many empty nights
just waiting for this, for this
standing there
all heading downsteam
unsteady island
we hear nothing, nothing

at least we were together
holding hands
flying through the sky
at least we were together
holding hands
flying through the sky
sky

at least we were together
holding hands
flying through the sky
at least we were together
holding hands
flying through the sky
at least we were together
holding hands
flying through the sky
at least we were together
holding hands
flying through the sky
sky

remembering something I'll never forget.

guincho.
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Comments


é.

--
"details as the raw material for abstract photographic compositions has become one os the most deadening clichés of today´s photography of architecture" - Robert Elwall in Building with Light.
[spam] es rapido! :P [/spam]
fui?

--
"details as the raw material for abstract photographic compositions has become one os the most deadening clichés of today´s photography of architecture" - Robert Elwall in Building with Light.
awww, that's beautiful!

--
Shahrukh Khan

admin of ~archiffect
a good moment, above all.

--
"details as the raw material for abstract photographic compositions has become one os the most deadening clichés of today´s photography of architecture" - Robert Elwall in Building with Light.
podes ter a certeza disso. =)

--
"details as the raw material for abstract photographic compositions has become one os the most deadening clichés of today´s photography of architecture" - Robert Elwall in Building with Light.

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